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The Girls You Sang to Sleep

by A Metropolitan Guide

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1.
Werewolves 03:04
Let the legends flow from the children’s sight And we’ll be rising in the moonlight The Devil’s wearing his mighty fine clothes Every chink in the armor is what he’s paid to know Throw the dirt and let it scatter to the wind It’ll sound like rain coming down again That was always my kind of trick Offer up something and watch the elements shift God forbid, I’d say, is it such a sin To stand in the light just to let the light in? I’ll let that lunar sway bathe me in its light When I’m basking in that glow and that Devil’s passing by I’ll be something altogether different to make the battle fair He may know the weakness but he ain’t gonna know where But as the night rolls on and the daybreak creeping in If you steal from the Devil is it still some kind of sin? God forbid, I’d say, I’d do it all again To stand in the light just to let the light in
2.
I said I’m sorry that your mother died, but I never asked how on the steps that night But I swore you said “thanks” underneath your breath because telling stories all the time doesn’t bring what’s dead back to life You said you’d seen this before, had run all the simulations and bolted the door All the rain couldn’t wash it away and every voice that thinks it’s wise Is fighting the flood with a hole in the side So go ahead and close your eyes This world’s better anyway on the other side And if this mockingbird don’t sing it right Just move along to the next in line You said “write me a song for the road, I’ve heard you’re pretty good, or so I’ve been told” But when you’re sitting down to write you gotta take what you can to get the lines So beat me down or help me rise And all the girls you sang to sleep with your lullabies Just put ‘em in the tracklist and don’t wake ‘em on the way by
3.
They're gonna come from miles around, they're gonna come She said everybody loses their minds I just presumed it was my time She stood up and threw her hair back and exploded like a landmine A weapon doesn't need a timer to be right on time They're gonna come from miles around, they're gonna come The girls they love are at the waterline under the Baker Bridge's light And despite the claims of all the tough guys They're gonna bring this place back to life But all the lovers underneath the bridge never wanted the lights because anything more than a glow will snuff out the life They're gonna come from miles around, they're gonna come They drowned them all at the water's edge Saying there are things worse than death Like all those economic downturns exploding across the Midwest
4.
Wanderer 02:02
I woke up in the morning to bask in the sun Made those preparations for that reckoning to come I ride with a plan in place, kind of like a train An idea of where I'm headed with some bumps along the way Now no one ever knows where they're gonna' land and I don't got some inside track on where the future stands It's not about making every step some perfect little feat Just about a little balance in a world of extremes I'm not afforded that luxury to go with no direction It's in my blood ferociously to carve out my destinations See, I'm a guide, and I've got schedules to keep and baby I ain't no wanderer, I know where I gotta' be
5.
I could drown you in a bunch of metaphor, lord knows I’ve done that a time or two Excavate some knowledge, I’ve got a wealth, so sit back and let me introduce myself I ain’t gonna’ claim to know what puts the sparkle in your eyes, I never had a clue, so I won't even try We’ve all got those enterprises brewing on the side Thinking that they might grow, but probably gonna’ die Even if they find a way to struggle and survive It's probably gonna’ spring from one big lie A few hours is a long time if you measure it in just the right way Time is gonna' stop when you unfurl the sails and go in search of your elusive white whales See, there I go, just a minute in, letting those metaphors drip off my tongue cascading down around you and swallowing you up Just beneath the surface you’re swimming through the tide A harpoon’s in my left hand, a heart’s in the right Thinking that they might grow, but probably gonna die I let 'em both fall at my side Brother, they say make a choice, what you got or what you plan to lose The gallery is snapping their photographs, without concern or if they're gonna last It’s not that you can’t start changing minds, just don’t pose for the picture on the wall and when the lights start flashing just forget about it all Look into the photographs, look deep into the eyes The stars all gather quickly and briefly they align Thinking that they might grow but probably gonna die And when the flashes fade it’s just another empty, endless sky Because you put it in a frame doesn’t mean it’s art Because you put a horse before it doesn’t mean you have a cart Some clever little words won’t justify the part And metaphors and dreams don’t pacify the heart
6.
You can tell me a story, suffocate the page Get into the bloodstream annihilate the veins Cause a little damage cause a little pain Blow away your narrator execution, close range Don't let the dust settle before you're on your way strategies and tactics don't matter in the fray When the vipers come a snapping, let the venom flow it doesn't matter without a narrator no one's going to know When you introduce the characters let 'em scream and shout So when you put them in the gutter you'll know what silence is about When you think they're gone forever, bam let 'em reappear and once you're getting comfortable make 'em disappear And when one unexpectedly turns into a pest No one will give a second thought when he's murdered by the rest Make two more fall in love and then let them fall away then they can kill each other, that's the best way You can add in some betrayal but that's a little overdone but if you do it do it quick with a crossbow or a gun Have a few walk away into the great beyond Then everyone can contemplate if they're truly gone You'll need to go and add a few scattered bartenders You know, someone to listen to the rest of your characters And as for the setting you're gonna need their inn Because that's pretty much where every single journey begins At some point the hero will have to travel to grow To find a teacher with knowledge that only they know It's probably an old man or a female spirit tree Or some mystic creature like a fox or coyote Then add in a love interest who's after his heart She's probably going to be terrible, at least at the start Probably safe to assume they'll end up in bed And then eventually she's gonna end up dead At the hands of a villain, who used to be a friend Whose loyalty somewhere was allowed to bend And if you find the plot starting to wear a little thin, that's when you introduce someone's long lost twin Maybe ones evil, maybe ones good I'm not saying to kill one, but I'm saying you could Make sure and leave the one who everybody likes Definitely quotable but doesn't have to fight Put them through the wringer, kill their friends too, then everyone will sympathize with their point of view Your cast of characters is going to constantly expand that's why you got to kill him off while you got the chance Perhaps you're gonna have the villain die in the end that's an easy one to have the hero murder his friend You can even have the hero die of old age long after the story has move past the page If there's a character lingering around and you find them in the way dragging your story down you can set one up with a dramatic trial then you can put them down, execution-style Your audience will scream and your audience will shout But it's that raw emotion that what it's really all about Whether it's blood or tears dripping from the text It's only purpose is to set up what's going to happen next With all these characters dropping kind of hard figure out What exactly if anything the story is all about But if you can't wrap it up and don't know what to do That's all right it means you're ready for story number 2
7.
You may be tired of waiting, you may be long for sleep, but a new day is dawning just over the hill I know the cause has been a little stagnant and you’ve got better things to do, but revolution’s calling to you We’re calling all the romantics and all their lovers too, and the ones who lost it somewhere just over the hill Scour the hotel bars and scavenge every room, it’s gonna be all hands on deck by the time we’re through It may not be the change we need, but it’ll do just fine So, gather up your rifles and let out your battles cries, it’s the day you’ve been waiting for all your life It’s been a long time coming but it’s finally arrived, raise the banners for the grand revolution of Lakeside. When the dust has settled come to the other side of the field, you’ll find us with a smile just over the hill We’ll probably be hanging from some ancient tree, our revolution swaying in the breeze It was never about winning or changing all the world, just to add a little color over the hill Go and tell the adversaries mounting their attack, tell 'em that once our story’s out there there’s no getting it back.
8.
I’ve seen how they look in TV and books But that’s not how I think they are The ones in this sketchpad don’t seem all that scary to me And things like these are only as scary as you imagine them to be Maybe one’ll come and carry me away I don’t much know where they’re from, or if my chance is gonna’ come But I can’t wait to see a dragon someday

credits

released April 8, 2021

All songs written and performed by Brian Davis
Lead guitar on "Wanderer" by Kevin Davis
Recorded by Brian Davis Feb-Mar 2021 at Little Plane Studios; Peoria, IL
© 2021 Little Plane Records / Brian J. N. Davis

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